Nikon CoolPix S9100

!#8# Nikon CoolPix S9100

This is the Nikon CoolPix S9100, a high speed, travel zoom compact camera with an 18x zoom VR Nikkor lens. Nikon Coolpix S9100 bit.ly/bhnikons9100

Nikon CoolPix S9100

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!±8± Nikon 55 - 300mm f/4.5-5.6G ED AF-S DX VR II (Vibration Reduction) Autofocus Zoom Lens - Grey Market

Brand : Nikon | Rate : | Price : $359.95
Post Date : Dec 14, 2011 07:34:51 | Usually ships in 24 hours

Nikon 55 - 300mm f/4.5-5.6G ED AF-S DX VR II (Vibration Reduction) Autofocus Zoom Lens - Grey Market

• DX-Format Zoom
• 82.5-450mm Equivalent Focal Length in FX
• VR II Image Stabilization
• Focus to 4.6' at Any Focal Length
• Super Integrated Coating (SIC)

More Specification..!!

Nikon 55 - 300mm f/4.5-5.6G ED AF-S DX VR II (Vibration Reduction) Autofocus Zoom Lens - Grey Market

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Things You Need to Check in a Camera Before Buying One

!±8± Things You Need to Check in a Camera Before Buying One

If you have made up your mind to invest in a camera, you surely need to take care of a few things. In this discussion, we will talk about the things you need to look for before buying a cam.

Things to Check If You Want To Take Night Photography

If you are planning to buy a digi cam for night photography, here are a few things to look for. You must know that only high-end cams will have such features. Therefore, it is necessary for you to balance your desires against your wallet.

- Check whether your cam has a special night scene mode or not. This can help you to take photos in the low light conditions.

- The higher ISO setting enables you to take images with quicker exposures at the cost of an overall image quality.

- Check whether your cam allows long exposures of a full second, 2 seconds or more than that. You may require this so that enough light can reach your cam in low light situations. For these images, using a tripod or other stabilizing devices is critical.

- Check whether your cam comes with built-in image stabilization or vibration reduction features. This will help you compensate for the 'camera shake' effect when you want to keep your cam still for longer exposures.

Take Assistance of Comparative Search Engines

Looking for the best digi cam deals? Opt for online vendors. Taking assistance of the online vendor sites allows you to type in or browse for a particular product. Depending upon the shopping search engine, the items may be listed along with the price of the product at each vendor including:

- Shipping price
- Sales tax etc.

Use these shopping search engines as a start point. The listed price doesn't reflect the real price on the website of a vendor (they may be higher or lower). Be sure to read the opinion of other people and be careful while purchasing these items from a vendor.

Look for Weatherproof Cams

There are some digi cams that are made to withstand moisture. If your photography requires taking photos in the rain, snow or other extreme weather, try considering weatherproof cams. Though, lens shades and snow covers can help saving your cam, but opting for cams that are made specially to solve this predicament is the right choice.

It is always better to read the reviews about digi cams before buying them. There are many sites that offer a variety of digi cam reviews; some even include sample photos taken from various cams. You must set your budget before purchasing a cam. Just like you set a budget before buying a big ticket item like a computer or a car, you must set a budget before buying a cam too.

This way, you can easily buy the digi cam that is most suitable and affordable for you.

Things You Need to Check in a Camera Before Buying One

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Nikon AF-S 18-55mm f/3.5-5.6G DX VR [Vibration Reduction] Zoom Nikkor Lens + WSP cleaning kit

!±8± Nikon AF-S 18-55mm f/3.5-5.6G DX VR [Vibration Reduction] Zoom Nikkor Lens + WSP cleaning kit

Brand : Nikon | Rate : | Price : $158.90
Post Date : Nov 26, 2011 05:00:21 | Usually ships in 1-2 business days

Nikon AF-S 18-55mm f/3.5-5.6G DX VR [Vibration Reduction] Zoom Nikkor Lens + WSP cleaning kit

The Nikon 18-55mm f/3.5-5.6G VR AF-S DX Lens is an ultra compact, lightweight standard zoom lens that has a 3x focal zoom range and is ideally suited for use with compact Nikon digital SLR cameras that feature the smaller DX sized chip. This lens offers the most basic zoom range in the DX lens series, an equivalent focal length in 35mm terms of 27-82.5mm. It will conveniently cover everything from tight indoor portraits to standard snap shots.

The innovative Vibration Reduction (VR) system allows handheld telephoto zoom shooting even in poorly lit conditions. It minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 3 stops (8 times) faster. The Nikon Super Integrated Coating used in this lens minimizes ghosting and flare to provide even higher contrast and more vivid images, even in challenging light conditions.

This G-type Nikkor lens is designed with no aperture rings, and offers easier, virtually mistake-free operation because the aperture does not need to be set to minimum.


Note! DX lenses are NOT recommended for use with "full-frame" digital or 35mm film SLR cameras.

Vibration Reduction
Minimizes image blur caused by camera shake, enabling sharper pictures hand-held at shutter speeds up to three stops slower than would otherwise be possible.

Optics
One hybrid aspherical lens element minimizes various types of lens aberration.

SWM (Silent Wave Motor)
The improved SWM built into the lens offers smooth and quiet autofocus performance.

Rounded Diaphragm
The rounded diaphragm opening (7 blades) makes out-of-focus elements appear more natural.

More Specification..!!

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Best Mid-Range Digital Cameras

!±8± Best Mid-Range Digital Cameras

If you are looking for an excellent camera that won't cost you much more than ,000 and snaps great photos and high-quality video, you should consider looking into one of the market's mid-priced digital SLR cameras. dSLR cameras give photographers the highest amount of creative control over the images that they are snapping by using a variety of lenses designed to capture the best possible photographs. Besides great photo quality, the best digital SLR cameras offer impressive feature lists, intuitive design, and good value for money. Here are the two best digital SLR cameras that are available for around ,000.

Canon's EOS Rebel T2i Digital SLR Camera is an excellent digital camera that is available for around 0. The T2i takes crisp, sharp photos and doesn't struggle in low light. It also records excellent videos and can shoot 1080p video at 24, 25, or 30 frames per second and 720p at 60 frames per second. Though it is designed for serious photographers, beginners will not struggle to use it, so it is a great purchase for households with multiple users. It is also quite portable and durable.

The EOS Rebel T2i's main competition comes from the Nikon D90 Black SLR Digital Camera Kit. The D90 shares many specs with the aforementioned Cannon and is packed with attractive attributes. Along with top-class still frame shooting, it also shoots sharp video in 720p. Its vibration reduction system also helps guarantee that your home videos won't be reminding viewers of the Blair Witch Project. While it costs around 0 more than the Canon, there is really very little between the two best digital SLR cameras on the market.

Personal preference will likely be the deciding factor when it comes to picking between the two, but one thing's for sure, you can't go wrong with either, thanks to their excellent quality and good value.

Best Mid-Range Digital Cameras

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Wedding Photography Lenses That Every Photographer Can't Do Without

!±8± Wedding Photography Lenses That Every Photographer Can't Do Without

There are generally four kinds of photography lenses that every wedding photographer should have in his or her gig bag:

Wide-Angle Zoom Wide-to-Telephoto Zoom Image-Stabilized Telephoto Zoom Prime/Portrait Lenses

Wide-Angle Zoom

Wide-angle zoom lenses are one of the most important photography lenses that every wedding photographer should have, typically 17mm to 35mm in length with a fixed aperture of f/2.8. They provide a large depth of field, making it simple to have foreground and background in focus. They are an indispensable wedding photography equipment which allows versatility in confined areas such as a small banquet room or crowded dance floor. While shorter photography lenses allow you to capture more details, wide-angle zoom lenses allow you to capture more reactions and atmosphere to tell a richer story.

To elaborate further, wide-angle zoom photography lenses allow you to shoot a wider perspective of moments happening around the major subject, hence providing a bigger picture of the entire event. For example, wide-angle photos have the capability to tell "stories within a story", allowing you to reveal more of the story behind the shot. This is essential for a good photojournalistic wedding photography. As events surrounding weddings are so time sensitive, good photography lenses will allow you to capture as many actions or emotions in the quickest time as possible.

When used in a venue such as the church or ballroom, wide-angle zoom photography lenses also magnify the grandeur and spaciousness of the area, which encapsulates the creative feel for a photojournalistic wedding photography.

However, you need to be selective of the scenes or actions using wide-angle photography lenses, as a caveat to shooting wide is that it creates some body distortion, particularly when a subject is photographed close-up. Generally, people tend to look heavier and shorter on the edges, while arms can look huge. The last thing you want is to have the bride cursing you for making her look like she has put on 10 pounds! To get around this problem, you should as far as possible avoid putting the bride and groom at the edges of the wide-angle distortion. In addition, wide-angle photography lenses might also introduce distracting or unwanted elements into the frame, which would otherwise ruin a picture perfect moment.

Wide-to-Telephoto Zoom

Wide-to-telephoto lenses are the single most important photography lenses that a wedding photographer cannot do without. They should ideally be lenses that cover somewhere around the 20-70mm focal length range with an aperture of f/2.8. This ideal range lets you get wide enough to take a group photograph and close enough to capture facial emotions in your candid shots or a three-quarter portrait of a couple without the undesirable effects of wide-angle perspective distortion. They also double as good lenses for portraits. Given just this lens, you would be able to capture most of the shots needed for a wedding decently well.

Image-Stabilized Telephoto Zoom

Image-stabilized telephoto zoom lenses are also essential items in your wedding photography equipment checklist. The 70-200mm focal length is an important range for wedding ceremony photos. It allows you to give your subjects more space in situations where you don't want to get in the way. As you will often be photographing down the aisle from the back of the church, image-stabilized telephoto zoom lenses will come in very handy. 200mm is long enough to be able to take 3/4 length images of the bride and groom exchanging their vows while staying at a reasonable distance away from the action and 70mm is wide enough to take in the bridesmaids or groomsmen as a group without switching photography lenses.

A good point to note is that when using such photography lenses, nice blurred background can be achieved with maximum wide apertures of f/2.8 and long focal lengths of 200mm or 300mm, whether you are using a full-frame or a small sensor body. This allows you to isolate the subject from its background, and to focus attention on the image as the main subject you want to portray. Such photography lenses are especially useful for shots where you are unable to get in close and for intimate and private moments, where you want to be an unobserved stranger at a distance. Some examples include a stolen glance, a mischievous grin, a kiss - the details that are effectively conveyed by the emotions. Image-stabilized telephoto zoom photography lenses hence play an important role in capturing such moments.

These image-stabilized telephoto zoom photography lenses aren't only good for blurry backgrounds or shooting events from a distance. They could also be used to photograph stunning facial close-ups from creative angles above or below the subject that don't exhibit the normal distortions of large chins or shrinking heads that come from wider photography lenses.

Yet another advantage of such photography lenses is that you can use the small-sensor camera's 1.5x crop factor to your favour. The 200/2.8 long end of the standard zoom effectively becomes 300/2.8, a lens that would cost 00 for a full-frame camera. The effective 300mm length allows for more creative photo angles than shorter photography lenses, such as tightly cropped images of the groom's hands lifting the bride's veil or the bride and groom's hands while they put rings on each others fingers.

The obvious disadvantage of image-stabilized telephoto zooms is that in many cases, long photography lenses tend to disconnect the subject from the main scene and there might be little to no context as to why the subject may have had expressed how they were feeling, the whereabouts of the subject and who else was there.

When using a small-sensor camera as your primary or backup body, the other disadvantage of image-stabilized telephoto zoom lenses is that neither Nikon, Canon or Sony make an f/2.8 lens that gives you an effective 70-200mm focal length. Hence, you would have to pay the high price and carry the weight of photography lenses designed for a full-frame camera.

Canon's Image-Stabilization, Nikon's Vibration-Reduction and Sony's SteadyShot INSIDE systems are indispensable in allowing you to hand-hold these large and heavy long photography lenses, especially in low light situations. Every wedding photographer should ensure that the image-stablization and vibration-reduction features are available on their long lenses. You might also want to consider using a tripod to ensure continuous, accurate subject placement and sharp photos. Such telephoto zoom photography lenses are huge investments and if you have a budget constraint or an amateur just starting out, you might want to consider rental instead.

Prime Lenses

Prime lenses are essentially photography lenses with fixed focal lengths, as opposed to zoom lenses, which have variable focal lengths of say 24-70mm or 17-55mm. Prime lenses generally have a better optical quality than zoom photography lenses, and usually come with wider maximum apertures such as f/2.8 or f/1.8.

Good prime lenses are must-have photography lenses for any wedding photographer, as they are excellent for taking good portraits. Although you will be adequately equipped for a wedding shoot with the three zoom lenses in your lens kit as discussed above, it is worth including two to three fast prime lenses in your bag as well. These photography lenses are compact, light, and fairly inexpensive and would probably be needed in about 10 to 20% of a wedding shoot.

Faster prime photography lenses are ideal in situations where f/2.8 aperture is not enough to get the motion-stopping shutter speed or shallow depth of field desired, whether for artistic or technical reasons. For example, an image that requires a 1/20th of a second shutter speed at f/2.8 will only require 1/60th of a second at f/1.8, forming a distinction between a sharp image and a blurry one. Many professional wedding photographers actually include prime lenses in their gig bags as an economical backup to their zoom lenses. Not many people could afford to purchase an additional 70-200mm f/2.8 telephoto lens as a backup and you also want to prevent a frantic situation whereby your photography lens fails on you during a crucial moment.

There are many prime lenses available on the market but most photographers would include a 28/1.8, 50/1.8, and 85/1.8 in their prime photography lenses kit to be used on a full-frame body. The 28mm is wide enough to cover most ceremony locations and confined spaces, the 50mm is good for small groups or a priest blessing a couple, and the 85mm is long enough for ceremony vows and exchange of rings. A wedding can be successfully photographed with just these three photography lenses.

Wedding Photography Lenses That Every Photographer Can't Do Without

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Nikon Lens Terminology Tutorial

!±8± Nikon Lens Terminology Tutorial

By viewer's request, a description of what the heiroglyphics in Nikon's lens names stand for.

Nikon Lens Terminology Tutorial

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Nikon 70-200mm VR II vs. Nikon 70-200mm VR

!±8± Nikon 70-200mm VR II vs. Nikon 70-200mm VR

See and buy my Photos at: www.momentsofnaturephotography.com This is a detailed comparison between the new nikon 70-200mm f/2.8 VR 2 lens and the original nikon 70-200mm f/2.8 VR lens.

Nikon 70-200mm VR II vs. Nikon 70-200mm VR

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Nikon Coolpix AW100 Review - As Rugged As You Are

!±8± Nikon Coolpix AW100 Review - As Rugged As You Are

Nikon have introduced the Nikon Coolpix AW100 as a rival to other cameras in the increasingly popular rugged and waterproof compact digital camera niche for outdoor adventurers. It has been given the AW prefix in its model number as an All Weather digital camera.

It is waterproof to 33ft, can withstand drops on to a hard surface from 5ft and capable of operating in temperatures down to 14F. Nothing remarkable here as these are accepted standards for this type of camera, however the AW100 can withstand immersion to greater depths than many of its peers.

The problem with waterproof and rugged compact cameras is that to be tough they sacrifice picture quality whilst trying to keep the camera as compact as possible. Nikon suggest that the picture quality from the AW100 is better than most of the other cameras in this niche as it has a 16 mega pixel CMOS sensor built-in, combined with a maximum ISO3200 setting, which offers the ability to take better pictures, especially in lower light and fast conditions.

The wide-angle lens offers 5x zoom and when you find an interesting insect the macro mode can focus at a distance of less than half an inch away for stunning close up shots. To keep your picture nice and sharp the camera has lens shift vibration reduction rather than the more common digital sensor shift vibration reduction. Combined with the high ISO3200 setting and the built-in Best Shot Selection function ensures your pictures will be as sharp as possible.

Programmed with nineteen scene moods the camera has a mode for every occasion and will ensure that your pictures will be as great as possible. Choose from Dawn/Dusk, Pet Portrait, Fireworks, Night Portrait and Party/Indoor to name just a few. For your outdoor adventurers, the people the camera is really aimed at, there are Beach, Panorama, Sports and Underwater modes where the camera settings will at their optimum to capture those once only moments.

For those movies of you rafting down a river or watching your friends speeding past on their mountain bikes the Nikon AW100 produces HD 1080i video which you can plug straight into a HDTV to watch and enjoy. The playback can be speeded up to search for those special moments and then be slowed down to enjoy them in detail. Most of the other rugged cameras produce only 720p HD video although two other higher specification rugged cameras have HD 1080i video as well.

The Nikon Coolpix AW100 comes with built-in ecompass and also GPS with an internal map display on which you can record your position when the photos were taken. After you have uploaded the photos to your computer you can retrace your route using Nikon's ViewNX2 software or share them on Nikon's Mypicturetown.com website or Google Earth. The AW100 will track your movements and location even when the camera is not in use so that your whole adventure and route can be viewed.

With the built-in Action Control you can operate the camera with one hand, even when wearing a thick glove or under water. Different hand movements can be pre-defined for different camera actions and the control can be activated via a dedicated button on the side of the camera. Presently available in three colors in the US, orange, black and blue.

For those people who lead an active outdoors lifestyle, whether you are sailing, skiing, rock climbing, mountain biking, hiking or a whole host of similar pursuits the Nikon Coolpix AW100 has been designed to meet your needs, both in its ability to resist harsh environments and to take good quality photos.

Nikon Coolpix AW100 Review - As Rugged As You Are

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Nikon 70-200mm ƒ/2.8G AF-S ED-IF N VRII (HD)

!±8± Nikon 70-200mm ƒ/2.8G AF-S ED-IF N VRII (HD)

Thisvideo is a brief hands-on review on Nikon's 70-200mm ƒ/2.8G AF-S ED-IF VR's new replacement of Nikon 70-200mm ƒ/2.8G AF-S ED-IF N VRII. Enjoy. This video is available in High Definition (HD), hover the mouse above "360p" to extend out different video quality options, for HD (High Definition), click on 720p or 1080p. If you are having trouble watching the video smoothly, add this code, &fmt=22 to the end of this video's URL address then press Enter / Return to reload the video, it will play nicely in HD. Music: Glittering Blackness by Explosions in the Sky (looped)

Nikon 70-200mm ƒ/2.8G AF-S ED-IF N VRII (HD)

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D300018 Nikon Lens Review 200mm - Capture the Best Shot

!±8± D300018 Nikon Lens Review 200mm - Capture the Best Shot

Nikon 200mm VR D3000-18 can be a great advantage for your D3000 his camera. This has many advantages and can capture images of good quality and clarity. This goal is what makes VR vibration reduction is a very important factor you should look for the lenses. The VR lens is not necessary because tripod VR effectively obsoletes the stands. VR is ideal for those who saw the dance as dance, sports and other activities, the movement is in motion. This isbecause they have the ability to detect motion and affects the movement in real time. With a Nikon VR lens like this, the image remains stable even after long exposure times.

Another advantage of this lens Nikon D3000 is that you do not need a macro lens, save a lot of money, because with this lens as close as you can focus on any object to be no worries or problems with the macro-objectives and macro settings, this is due to its advanced featuresthat focus, up to 8 cm.

When it comes to portraits, this is also a great goal, because it is the ability to shoot from the top of the group photo has a zoom. The details of the images are sharper than any other goal produced by other manufacturers. There is also need for you to take a different lens to capture different types of objects. This is also good for landscapes and images of the entire body, as when one is better under the sun, do not you need a different lens, the shift can lead togreat scene, and the subject does not expect to go slow.

For a practical purpose for the digital SLR, the Nikon D3000-18 200mm lens is the most fun goal, practical and cutting edge, is able to provide large images or photos.

D300018 Nikon Lens Review 200mm - Capture the Best Shot

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Nikon 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens

!±8± Nikon 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens

Rate : | Price : $189.00 | Post Date : Oct 05, 2011 11:30:21
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Nikon 18-55MM F3.5-5.6G DX VR (2176)

• Tiffen 52mm UV Protection Filter
• Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)
• Nikon D90 12.3MP Digital SLR Camera (Body Only)
• Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR [Vibration Reduction] Nikkor Zoom Lens
• Nikon ML-L3 Wireless Remote Control for Select Nikon D-SLR and CoolPix Cameras

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Nikon Coolpix add new features: Live PMA Interview

!±8± Nikon Coolpix add new features: Live PMA Interview

The Coolpix S210 is an 8-megapixel model with 3x zoom, Electronic Vibration Reduction (VR) image stabilization and aluminum body. It is available in plum, graphite black, cool blue and brushed bronze colors for $ 179.95. The S550 features a 10 megapixel sensor, 5x optical zoom lens, Electronic VR. It also features the Smile mode, which automatically trigger when the person smiles, and Blink Warning, which displays a warning message if the subject blinked. It 'available in plum, cool blueGraphite black for $ 229.95. Another member of the Coolpix Style line, the S600 is equipped with a 10-megapixel sensor, 4x wide angle Zoom-NIKKOR 28-112 mm, optical image stabilizer (VR) image stabilization and a 2.7-inch LCD screen . It adds an "Active Child Mode" to its scene modes that automatically track and focus on a moving subject while shooting. It 'compatible with SDHC cards and uses rechargeable lithium-ion batteries. The S600 will be available in March for $ 299.95. All models arefound in calumetphoto.com.

Nikon Coolpix add new features: Live PMA Interview

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Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor Zoom Lens

!±8± Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor Zoom Lens

Brand : Nikon | Rate : | Price : $0.00
Post Date : Sep 27, 2011 17:21:27 | Usually ships in 1-2 business days

Nikon AF-S DX Nikkor Zoom Lens

• Ultra-compact 3x zoom lens made exclusively for use with Nikon Digital SLR models
• 55-200mm focal length
• f4-5.6 maximum aperture
• Super Integrated Coating minimizes ghosting and flare
• Silent Wave Motor

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The Best Photographer DSLR camera for beginners

!±8± The Best Photographer DSLR camera for beginners

If you're looking to trade from your point and shoot camera or even maybe if you studied photography at school or at school this year, chances are you need a digital SLR camera, but there are many of them can be chosen, the choice a little 'intimidating, that's why I wrote this. Here is a list of the top three entry-level DSLR, perfect to learn the art of photography.

Sony Alpha 290 (A290)

When I startedPhotography and I said I do not know which camera to get, but after hours and hours of research I have narrowed both the Sony Alpha 290, or two cameras below. The Sony is an excellent camera for anyone from the DSLR world. It has a 14.2-megapixel sensor and has a so-called Steady Shot inside. The Steady Shot, you can take pictures at shutter speeds slower and blur reduction technology, which can help in low light situations.

The A290 can also shootup to ISO 3200, which is higher than the other two cameras, however in this context, the image quality is not great and it looks pretty strong. But as I always say, a noisy image is better than a blurred image.

If you have never owned an SLR before, this could be the perfect place to start.

Nikon D3000

The next camera in this line-up is the Nikon D3000, and I love this camera. If it were not for this camera then you probably have not admittedPhotography, they said they did not choose to run this camera, which may seem strange.

The D3000 is an excellent way of driving, the use to which the settings in different situations, says that this is a great idea, and it helped me a lot.

The D3000 has a count of the smallest megapixel Sony, and is at 10.2 megapixels, but to be honest when recording the images are sized to be adapted and implemented on the side of a bus then a 14 - megapixel orwith a 6-megapixel difference is not great.

The Nikon has vibration reduction technology built-in camera, but you can buy this technology with Nikon lenses, but it costs a little 'more. Overall, the Nikon is a great entry-level model for the novice photographer.

Canon 1000D (Rebel XS)

The Canon EOS 1000D or Rebel, as I believe is called the United States, is the lightest Canon DSLR camera built to date, it is possible that thisa great advantage, but if you simply made a point and shoot camera to a DSLR is a big difference and a lightweight camera is helping. The 1000D has 7 autofocus points, with a fairly large 2.5-inch LCD on the back.

Of the three cameras that count 1000D has more megapixels to 10.1 megapixels and goes, but in reality there is no way to be a difference-megapixel between.1 see and I highly doubt that this is so much difference between one of these threeCameras.

The Canon EOS 1000D is the camera that I initially started with, and I loved it. The reason why I use the cannon on the cameras above was due to the build quality, just felt sturdy and well built, where the Sony seemed cheap plastic and so does the Nikon to a certain extent.
If you are a perfect prelude for digital SLR photography look no further than the Canon 1000D.

The Best Photographer DSLR camera for beginners

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PMA 2008 - New Nikon lenses

!±8± PMA 2008 - New Nikon lenses

This year, Nikon makes some very cool new goals. The 16-85mm zoom has Vibration Reduction, which introduces the potential for reducing mechanical vibration means that you can get up to four additional seats for the show in a zoom lens. Then the tilt / shift 24mm called PC / E. As with a camera in hand with control of perspective and tilt function. Canon has one of these for years, but this update finally brings the series Nikon line. And it is probably best lens.Watch later for the PC 45 and 85 / E. The Micro-Nikkor hashave been for years, and 60 mm again deserve a place in your camera bag. Visit photoinduced.com more.

PMA 2008 - New Nikon lenses

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Nikon D3100 Review

!±8± Nikon D3100 Review

A closer look at the new Canon D3100 DSLR. The video contains images at high ISO sample of D3100. On the camera lens is the 55-300mm VR Nikon.

Nikon D3100 Review

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Good Glass - Good Photos

!±8± Good Glass - Good Photos

They are very stubborn on the camera lens (glass). I, along with many other professionals who firmly believe in the idea that the goal is important if not more, than the camera. If you can buy the best DSLR camera for money, and put a lens on it aftermarket budget, I can guarantee that the picture quality is only as good as the lens allows. If a DSLR entry and put a high end brand products on their lens, the picture makes you better than theexpensive camera lenses at low cost. The base is. What the camera sees is what you see the lens. When the lens is less optics, the camera will capture the lower image quality. It 'so simple.

I have trained many people when buying a camera and they are all convinced to go back a bit 'and a better lens on the camera or the abandonment of the camera and always new money to improve their lenses. A goal, if properly taken care in recent decades. Theirmay, on any camera for (Canon for Canon, Nikon for Nikon ...) until it develops its own objective. If the lens and then upgrade the camera later, you still need to use the lens with the new camera.

Without going into the technical end of the refractive scattering, or distortion, it is easy to understand one thing. Optical quality is better than the pictures. The lenses are all F / Stop reviews. Some have set f / stops (maximum 2.8) and some zoom lenses have afloat f / stops, the f / stop increases and decreases, as well as zooming means. The bus stop F / is particularly important in the shooting sports. The main reason is that when a target has a lower F / Stop, you can take in less light and maintain a shutter speed faster. The other reason is the depth of field. If you own a small F / stop, the background will be blurred. This is desirable in sports photography. Another option that is always there is that VR (Vibration Reduction) or IS(Image Stabilization) lens. These lenses have a technology that will contribute to the elimination of vibration, and shaking your goal. This gives you another opportunity to take in less light or the camera take pictures without a tripod. Speed ​​Focus (servant, Silent Wave Motor) is also an important part of your choice. The lenses of superior quality, fast autofocus illumination response time and ensure you get the best opportunity to get the picture.

Good Glass - Good Photos

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Nikon 55-300mm f/4.5-5.6G ED VR AF-S DX Nikkor Zoom Lens for Nikon Digital SLR

!±8± Nikon 55-300mm f/4.5-5.6G ED VR AF-S DX Nikkor Zoom Lens for Nikon Digital SLR

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Nikon 18-55 VR Nikon 18-105 VR than

!±8± Nikon 18-55 VR Nikon 18-105 VR than

After fiddling about a year now I have these two lenses with a Nikon D40. Along the way I learned many things, so I'll start with the story.

Last year, after purchasing my Nikon D40, I was the picture quality of the camera and at the same time, a little 'with the standard kit lens, the 18-55mm G ED II excited frustrated.

My previous machine was a Sony H-1, a compact zoom great. The quality of the images was of course very bad compared to any digital SLR, but thewide zoom range, vibration reduction system and the reflex, as click-and-scroll were brilliant.

The lens kit at first I was frustrated, mainly because of the lack of image stabilization. I was so used to it, which seemed at first very difficult to make sharp images. This was especially the fact that I do get sloppy hand-holding. The limited zoom range was a little 'hard to get used to. On the positive side, it was the kit lens very easily and made it easy for D40to manage. I found the picture I took with him to be ok in good light and in low light conditions very well. A lens kit very good, but sin that does not have VR.

The focal length limit I could easily live with, but the lack of vibration reduction is not so much. They call me lazy, I know, but it makes it much easier, sharp pictures even in low light conditions. So I was looking at the options:

The Nikon 18-200mm VR

I had initially decided on this last trip to zoom to think that while weis expensive, this would be the only lens that I would ever need. Things were not so bright, but when I went to try it in-store camera. While the format seems to be OK on paper, this lens is very front heavy and seems very unbalanced on the D40. Using the camera with one hand with this lens on it is not in question, at least for me. With the 18-200mm out of the race, it was time to look for alternatives.

The Nikon 18-55mm VR

The great thing about the 18-55 VR is theSize and weight. And 'slightly larger and heavier than the 18-55 kit lens, but far enough to feel the extra weight. Since the focal length is the same as the kit lens, this seemed like a bad deal for me. Of course, the fact that the normal retail price is a bargain ridiculuously highest doubly bad. I thought it would be stupid to spend so much money just to have vibration reduction.

The Nikon 18-105mm VR

This goal is a middle ground interesting. It 'a very reasonable pricecloser to the 18-55 VR than 18-200 VR. In relation to the zoom range, it is right between them. I found this to be a viable alternative, it was convenient, the zoom range has doubled since my kit lens, and have had a reduction in vibration. After trying it on my D40, I found the size and weight of a lot more reasonable than the 18-200VR. Yes, it's bigger and heavier the lens kit, but not dramatically. With only one hand is a bit 'more complicated, but still ok.

At first I was very pleasedThe extended zoom range and image stabilization. After several months, but some of the deficiencies became apparent.

I'll start with the frustrating: The minimum focusing distance is too long for this purpose. Sometimes, if you want to take a close-up of something, you will get close and the lens does not focus just because it's close to your subject. This happens so often that it is really annoying after a while '.

Another inconvenience: The focus ring does not make senseand traveling too much. Even if you can ignore the focus at any time, you can not just which direction the fire moves, because the journey is too long to tell. Since there is no distance scale or anything, I can never really say what I do. Now, I know I'm not the best photographer in the world, yes, but I can shoot with manual focus cameras and it works well. All this made me almost never tried to adjust the focus manually. What kind ofremoves part of the fun.

The last straw: While I was never satisfied with the images from 18-105VR, I was really dissatisfied. For a long time, and I could not because I've put a lot of time to figure out why. Some of my photos with the lens kit 18-55mm, in particular firearms in a good light, had an almost magical "pop" for them. It looked very good indeed. Not that I am a good photographer, I'm just on the technical quality. You only need tolooked at her and said "wow". I realized that none of the images were taken with the 18-105, like this. So I started closer to the image of testing kit lens. The thing that these pictures had in common was: kit lens, shot with an aperture of F8 or F11. Hmm, ok, I thought, this is kind of obvious, each lens is blocked a bit 'to get optimal quality.

So I studied the pictures of 18-105, the selection of f8 or f11s. He looked right, all right, there was obviousProblems. But they did not have that "bite" that "pop" that something extra that the target images had kits. This is the point where a photograph would be better to put in place blows comparison test between the two lenses. Since I am lazy and do not bother to take pictures only for testing purposes, I will say only this: the 18-55mm lens kit 18-105mm VR, spanking picture quality, period. You will notice the difference? I always thought, "the sharpness of the lens is so overrated, it's for pixel peepers,normal people can not see the difference. "Well, even with my modest 6-megapixel D40 can say that they are the difference.

On the rest of the story:

With this information I'm looking for a used 18-55mm VR caught. Within minutes, made me smile. What I had forgotten how much fun the D40 with a lens on it is slight. While the 18-105 is not huge, it is even harder. The 18-55 VR, on the other hand, the D40 makes it handle like a dream. The narrow focusDistance means you get much closer to the subjects and the maximum magnification for macro photography larger than the 18-105. The image quality is much better, I think, more or less the same as the kit lens, in other words, very good. All this makes this goal a lot of fun. On paper, this goal seems cumbersome and expensive, but on a camera, it feels just wonderful. This is a case of the whole being greater than the sum of its parts.

The conclusion, then:

The Nikon 18-55mm VR

TheNot all of this. The zoom is limited, there is no time to concentrate on writing. This is a simple, easy, cheap lens with image stabilization. If you do not promise the world. But does what he does very well. This is a great little lens.

The Nikon 18-105mm VR

This promises to be a little 'more. Double zoom range. Immediate goal is always possible. It looks a bit 'more seriously as well. At the end: take away the pain you have fun with this objective. On paper this is a much better goal,Too bad that is not so well in the real world.

So, I keep the 1:00?

Despite the range of 18-105 zoom with a double, I am always with the 18-55VR. As I said, it's much more fun.

Is that subjective? Yes.

18-105 is my new home soon? Even a yes ...

Sigma and Tamron:

One might ask why I do not have alternatives from Sigma and Tamron. I had the Sigma 18-200mm OS seen, but I finally decided on the Nikon18-200. When I changed my mind because of the size / weight, the Sigma was great and it looks much more expensive than the Nikon 18-105. The Tamron 18-250mm is, unfortunately, no vibration reduction. Since then, the Tamron 18-270 VC, which was not available was introduced last year. I really like to try that, although I'm pretty sure that would be the size / weight back a deal-breakers are.

Nikon 18-55 VR Nikon 18-105 VR than

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